This relief is in the Poole Museum. Della Robbia is a famous Italian Renaissance art family, famous for its tin glazed pottery relief (Terracotta Relief).

Great Wall relief is an art form that uses copper as the material and condenses the magnificent scenery and historical culture of the Great Wall into exquisite relief works through forging, carving, and other techniques. In Hangzhou, such works of art not only showcase the historical and cultural value of the Great Wall, but also reflect the outstanding achievements of ancient Chinese military wisdom and architectural technology. These relief works embody the wisdom and courage of the Chinese nation, becoming a symbol of national spirit and a treasure of ancient Chinese civilization. As a form of artistic expression, it allows people to appreciate art while gaining a deeper understanding and appreciation of the history and culture of the Great Wall.

The work is titled "Christ Mourning Gypsum Relief" by Raphael Donner. Created in the 19th century. This work is one of the collections of the Heiligenkreuz Abbey Museum. Raphael Dona is a renowned artist whose works hold an important position in art history. This plaster relief replica showcases Raphael Dona's artistic style and skills, as well as reflecting the rich art collection of the Heiligenkreis Monastery Museum.

It is a sculpture depicting the Virgin Mary and the young Jesus. This type of theme is very common in Christian art, usually depicting the Virgin Mary embracing the little Jesus, conveying maternal love and divine care. Relief sculpture, as a form of sculpture, represents works by carving raised images on a flat surface, giving the image a sense of three dimensionality while maintaining a connection with the background. This image of the Virgin and Child was particularly popular in European art during the Middle Ages and Renaissance, often used as a decoration for churches or as an object of private prayer. Not only does it have significant religious significance, but it also reflects the social, cultural, and aesthetic tendencies of the time.

Taimei and his wife Hadila "is a cultural relic located in the Louvre, originating from ancient Palmyra. This cultural relic is a tombstone relief depicting Taimei and his wife Hadila. The discovery site of this artifact is Palmyra, an ancient prosperous city located in present-day Syria, at the intersection of several desert trade routes. This city reached its peak between the 2nd century BC and the 3rd century AD. The relief is the tombstone of Taimei and his wife Hadila, used to mourn their lives and deaths. The relief depicts their images and some scenes of their lives

The "Patron Saint of Tribute" is a plaster relief dating from the Neo-Assyrian period (911-609 BC). Found at the Northwest Palace in Nimrud, Iraq, currently in the collection of the Cleveland Museum of Art. The relief, which depicts a winged god and an agricultural harvest, was created during the reign of Ashur Nasir Pal II, the second king of the Neo-Assyrian Empire, from 883 BC to 859 BC. This relief was made under his leadership to decorate the palace. It is one of hundreds of similar reliefs.

The Melleag of Death is a set of three marble reliefs created by the French sculptor Jacques Bergé (Jacques Bergé) at the end of the 19th century, depicting the life and death of Melleag in Greek mythology. These reliefs are "Melaag Kills the Wild Boar", "Melaag and Atalanta" and "The Death of Melaag", which respectively show the bravery, love and tragedy of Melaag. These reliefs are currently in the collection of the Brussels City Museum, located in the "" Royal Palace "" or "" Bakery "in the Grand Place of Brussels. The building itself is a historic museum.